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Laila Andersson-Palme : Airs d'opéras, mélodies et lieder.
Format : 2 CD
Total Time : 02:26:37
Sound : Stereo

Label : Sterling
Catalog No. : CDA1806/07
EAN : 7393338180623

Publishing Year : 2016
Release Date : 01/02/2016

Genre : Classical
Mélodie traditionnelle suédoise
Fjorton ar tror jag visst att jag var

Edvard Grieg (1843-1907)

Guy d'Hardelot (1858-1936)
Lorsque j'entends ton pas

Wilhelm Stenhammar (1871-1927)
Flickan kom från sin älsklings möte
Flickan knyter i Johannesnatten

Ture Rangström (1884-1947)
Vinden och trädet
Flickan under nymånen
En gammal dansrytm

Richard Strauss (1864-1949)
Meinen Kinde
Die Nacht
Hat gesagt
bleibt's nicht dabei
Für fünfzehn Pfennige
Glückes genug
Terzett, extrait de "Le Chevalier à la rose"
Monologue, extrait de "Elektra"
Monologue de "Salomé"

Wolfgang Amadeus Mozart (1756-1791)
Extraits de "La Flûte enchantée"
O zittre nicht
Der Hölle Rache

Georg Friedrich Haendel (1685-1759)
Aria d'Amaryllis, extrait de "Il Pastor Fido"

Giacomo Puccini (1858-1924)
Extraits de "Madame Butterfly"
Un bell' di vedremo
Tu, tu piccolo Iddio
Vissi d'arte, extrait de "Tosca"

Giuseppe Verdi (1813-1901)
Sömngångararia, extrait de "Macbeth"

Richard Wagner (1813-1883)
Extraits de "La Valkyrie"
War es so schmälich
So tatest du
Wohl taugte dir nicht
Nicht Streb, O Maid, den Mut mir zu stören

Alban Berg (1885-1935)
Extraits de "Wozzeck"
Aria de Maria, Acte I
Aria de Maria, Acte III

Laila Andersson-Palme, soprano
Sylvia Lindenstrand, mezzo-soprano
Britt Marie Aruhn, soprano
Leif Roar, baryton
Leif Roar, ténor
Kungliga Hovkapellet
Kurt Bendix, direction
Orchestre Symphonique de la radio suédoise
Orchestre de l'Opéra de Berlin
Orchestre de l'Opéra de Aarhus
Stig Westerberg, direction
Sixten Ehrling, direction
Sergiu Comissiona, direction
Charles Farncombe, direction
Carlo Felice Cillario, direction
Siegfried Köhler, direction
Heinrich Hollreiser, direction
Francesco Cristofoli, direction
Esa-Pekka salonen, direction
Jan Eyron, direction

Of course there is reason for comparisons between the two of the most important lady opera and concert singers in Sweden. But it is more interesting to see the similarities. Siv Wennberg and Laila Palme were active in nearly the same repertoire. Laila Palmes voice may have been slightly more innocent sounding and thinner as is obvious in the beginning traditional Swedish song. What a joy to hear this lovely voice also in pianissimos but make no mistake, listen to her Queen of Night, all the virtuoso is there!

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