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Jozef Krogulski : Musique sacrée, vol. 4. Ostrynska, Grzegorzewska, Koska, Jin, Naczk, Wa, Yu, Kaczorowski.
Format : 1 CD
Total Time : 01:06:42

Recording : 2025
Location : Szemud/Gdansk
Country : Pologne
Sound : Eglise/Studio / Stereo

Label : Acte Préalable
Catalog No. : AP0590
EAN : 5901741655908
Price Code : DM017A

Publishing Year : 2025
Release Date : 02/07/2025

Genre : Classical
Jozef Krogulski (1815-1842)
Graduale Universi
Psaume n° 110
Psaume n° 111
Psaume n° 112
Psaume n° 113
Psaume n° 117
Magnificat
Salve Regina
Hymn do Boga Rodzicy
Hymn na offertorium
Ave Maria
Oddajmy chwale Panu
Raz tylko juz Chrystusa noga
Koleda
Miserere

Zhu Jin, soprano
Marzena Ostrynska, soprano
Tatiana Szczepankiewicz-Maliszewska, soprano
Beata Koska, mezzo-soprano
Maciej Naczk, baryton
Gaofeng Wu, baryton
Liang Yu, baryton
Robert Kaczorowski, baryton, orgue

Who was Józef Krogulski? Why was he unique? How did he become famous? What music did he bequeath to us? To answer all of these questions, we shall reach for the fifth volume of the PWM Music Encyclopaedia (Kraków 1997), and read what Barbara Chmara-Zaczkiewicz wrote about this composer. There we learn that Krogulski was Chopin’s contemporary, as he lived between 1815–1842. However, contrary to Chopin, Krogulski probably never took regular piano lessons in any school. Quite possibly he was taught by his father. Michal, who was himself a composer and teacher. It is however known that Józef took composing classes at the General Music School in Warsaw, where he was taught by such teachers as Karol Kurpinski and Józef Elsner. Krogulski’s first public concert took place in 1825. At that time, Józef was only 10 years old. This artistic event launched a series of performances, which led to the young musician gaining more and more fame. He was seen as a ‘promising pianist’ and was called the ‘Polish Mozart’ and the ‘young Liszt’. After a few months in Germany, during which he performed numerous concerts, he was termed a prodigy. (...) In terms of his creative output, Krogulski was an incredibly fecund composer. Considering he lived only 27 years, he left behind an astounding amount of music. We can distinguish orchestral works, such as the Overture in D minor for piano and orchestra, two piano concertos, chamber, piano, vocal, eleven vocal-instrumental cantatas, ten masses...

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