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De Gesualdo à Piccinni. Les musiciens du sud de l'Italie de 1500 à 1700. Porfido.
Format : 2 CD Digipack

Label : Digressione
Référence : DCTT123
EAN : 8054726141235
Code Prix : DM035A

Année d'édition : 2021
Date de sortie : 01/11/2021

Genre : Classique
Carlo Gesualdo (1560-1613)
Canzon francese del Principe

Rocco Rodio (1535-1615)
Salve Regina
Fantaisie sur La Mi Re Fa Mi Re

Giovanni Maria Trabaci (1575-1647)
Canzone Francesa settima cromatica

Giovanni Salvatore (1610-1688)
Canzone Francesa Terza, del primo tuono finto

Bernardo Storace (?1620-?1664)
Balletto
Partite sopra il cinque passi -Ballo délla battaglia

Antonio Valente (?1520-?1580)
Fantaisia in Mode I
Lo ballo dell'Intorcia
La Romanesca
Tenore del Passo e mezzo

Niccolo Piccinni (1728-1800)
Sonate pour clavecin n° 1 en fa majeur
Sonate pour clavecin n° 2 en mi majeur
Sonate pour clavecin n° 3 en la majeur
Toccata pour clavecin en fa majeur

Margherita Porfido, piano

This boxed set collects the jewels of the Music of the Great Neapolitan School for harpsichord, starting from its founder Carlo Gesualdo, Prince of Venosa, up to Niccolò Piccinni, great opera composer and reformer of the Italian Opera. A path that weaves the history of Southern musicians, who saw in Naples their great cultural capital, a springboard to take flight and cross the Italian borders and bring their music throughout Europe. Often forgotten, the musicians contained in this double CD show a great artistic vein and a strong and very personal musicality, which still enchants the attentive listener; they are: Gesualdo da Venosa, Rocco Rodio, Antonio Valente, Giovanni Maria Trabaci, Giovanni Salvatore, Bernardo Storace and Niccolò Piccinni. A precious disc for the compositional art and the artistic inspiration of the authors, for the originality and the variety of the pieces, all authentic starting from the most ancient forms such as the Salve Regina by Rodio, the fantasies by Rodio and Valente, the French Songs by Gesualdo da Venosa, Giovanni Salvatore, Giovanni Maria Trabaci , the dances of Antonio Valente and Bernardo Storace, up to the splendid "Three Sonatas and a Toccata" of Niccolo' Piccinni (the only work of the author for harpsichord) published in Paris in 1775 and which preceded his arrival in the French capital by one year. Margherita Porfido's research, precise analysis, and exemplary performance are the compendium of a discographic product that is fundamental for the understanding of music between the 16th and 18th centuries in southern Italy.

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