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Fremer l'arpa ho sentito per via : Chants et danses traditionels de Viggiano. Pontrandolfo, Muscia, De Paoli, Meo, Almada, Simari.
Format : 1 CD
Total Time : 01:19:04

Recording : 01/04/2016
Location : Viggiano
Country : Italie
Sound : Eglise / Stereo

Label : Tactus
Catalog No. : TC800006
EAN : 8007194106091
Price Code : DM019A

Publishing Year : 2017
Release Date : 01/03/2017

Genre : Classical
Giovanni Paisiello (1740-1816)
Carciofolà (Amice nun credete alle zetelle)

Vincenzo Bellini (1801-1835)
Ah non giunge, extrait de "La Somnanbule"

Lincoln Almada (1958-)
Tarantella dell'arpa Viggianese

Aldo Bellipanni (1941-)
Il Viggianese
Il ritorno del Viggianese

Musique traditionelle de Lucanie (région historique d'Italie du sud)
Tarantella Stiglianese
Valzer Lucano
Tarantella di Armento
A Maria SS. Assunta
Tarantella Lucana
Madonna di Viggiano (A te ritorno)
Lode a Maria SS.ma (O Dolce Nome)
Tradizione lucana Polka di Vittorio
Tarantella Capuanese
Pastorale di Natale

Musique traditionnelle de la région de Naples
Lo cardillo
La Carolina
Fenesta che lucivi
Tarantella Napoletana
Te voglio bene assaje

Musique traditionnelle italienne
Valzer
Polka

Caterina Pontrandolfo, voix
Magda Muscia, flûte
Antonio de Paoli, violon
Sandro Meo, violoncelle
Scuola dell'Arpa Viggianese e della Musica
Lincoln Almada, direction
Sara Simari, direction

For the first time in the history of music the incredible history of the people from Viggiano is ‘revealed’ on a CD: wandering musicians that in a time span of four centuries represent a real unicum, both musically and anthropologically. Immortalized in the Neapolitan Christmas cribs of the eighteenth century, the wandering music specialists perfectly integrated themselves into the musical needs of the kingdom of Naples, from which, taking advantage of the Bourbon dynamism, then started spreading around the world with many of them becoming top musicians in major orchestras. Through their talent, existential need, great adaptability and versatility, the musicians from Viggiano - almost all of them belonging to the same family circle - with their harp, identifying symbol of their land, became the promoters of the great Italian musical tradition (Southern in particular). From the “Scuola d’Arpa di Viggiano” (Harp School of Viggiano), young artists led by specialists Sara Simari and Lincoln Almada implement the rebirth of this extraordinary tradition, elaborating the main sources of the historical repertoire from Viggiano.

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