Ständchen der Dinge
"Creampuffs from Vienna", d'après des danses de Haydn
"Ständchen", d'après "Scwanengesang", D 957 n° 4 de Schubert
"Trockne Blumen", d'après "Die schöne Müllerin", D 795 n° 18 de Schubert
"Schreibt die Ortsbäuerin"
"Der Wanderer an den Mond", d'après Schubert
"Es wandelt was wir schauen", d'après "Jugendlieder" de A. Berg
"Die Meere-Geht es immer so weiter", d'après 3 Duos pour soprano et alto, op. 20 n° 3 de Brahms
"Husch Pfusch Tusch", d'après "Moments Musicaux", D 780 de Schubert
"Da unten im Tale", d'après "49 Deutsche Volkslieder", WoO 33 n° 6 de Brahms
"n° 24 Leirmann-The hurdy-gurdy player", d'après "Winterreise", D 911 de Schubert
"Kompassmess:Er, Reise nach Jerusalem", d'après la Messe allemande, D 872 de Schubert
"Lied von denen die alles schon wissen
"Wunderhorntanz", d'après "Des Knaben Wunderhorn" de Mahler
"Du bist die Ruh", d'après Schubert
"When I consider"
"Moderation!Beugungen"
"Adam & Eva"
"Ich bin der Welt abhanden gekommen", d'après 5 Lieder de Mahler
"In die Dunkelheit"

Franui

Johannes Eder, clarinette, clarinette basse
Andreas Fuetsch, tuba
Romed Hopfgartner, saxophone alto et soprano, clarinette
Markus Kraler, contrebasse, accordéon
Angelika Rainer, harpe, cithare, voix
Bettina Rainer, dulcimer, voix
Markus Rainer, trompette, voix
Andreas Schett, trompette, voix
Martin Senfter, trombone, voix
Nikolai Tunkowitsch, violon

Franui celebrate their twenty-fifth year – a welcome occasion for an anniversary album, with many guests and fellow travellers, some new pieces, some old but previously unreleased recordings, and some of our greatest musical moments from the past quarter century, including tracks from albums that have been out of print for years. The rest is history: The musicbanda is named after a mountain pasture located some 2,300 meters above sea level, near the small village of Innervillgraten in the south of Austria. The memorable sound of their music is created from wood and brass instruments and plucked and bowed strings. From the funeral marches that first earned them popularity outside their native province the band inevitably proceeded to the dance floor. Located somewhere in between these two poles are their highly original “appropriations” of Romantic lieder, with Schubert as their patron saint. And so the journey continues – from the abandoned hayloft at the head of the valley to Europe’s major festivals and venues.