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Fanfare for the Common Man. Arrangements pour voix. Dean.
Format : 1 CD Digipack

Label : Origin Classical
Référence : OC33026
EAN : 0805553302621
Code Prix : DM019A

Année d'édition : 2021
Date de sortie : 01/09/2021

Genre : Classique
Sir Edward Elgar (1857-1934)
Nimrod, extrait des "Variations Enigma"

Johann Sebastian Bach (1685-1750)
Allegro du Concerto Brandebourgeois n° 3 en sol majeur, BWV 1048
Cantate "Wachet auf ruft uns die Stimme", BWV 140
Cantate "Jesu, Joy of Man's Desiring", BWV 147

Aaron Copland (1900-1990)
Fanfare for the Common Man

Claude Debussy (1862-1918)
La Fille aux cheveux de Lin

Gustav Holst (1874-1934)
"Mars, The Bringer of War", extrait de "Les Planètes"

Wolfgang Amadeus Mozart (1756-1791)
Une petite musique de nuit, K 525

Felix Mendelssohn Bartholdy (1809-1847)
Scherzo, extrait de "Le Songe d’une nuit d’été", op. 21

Aram Khachaturian (1903-1978)
Adagio de "Gayaneh"

Dan Dean, voix

One has come to expect the unexpected from multi-talented artist Dan Dean. In the midst of a successful forty-year career as a bassist, composer, producer and recording engineer, Dean has in recent years delved into classical vocal works. What began as a project for electric bass and orchestra, 2017's Songs Without Words evolved into a multi-layered, highly ambitious choral work, with Dean himself supplying vocals on arrangements of pieces by Bach, Rimsky-Korsakov and Mussorgsky. Shortly after its release, he began arranging more classics that inspired him and returned to the studio for this second volume. The result is Fanfare for the Common Man, featuring much-loved works by Mozart, Mendelssohn, Elgar, and Debussy. From Bach's Baroque masterpiece, “Brandenburg Concerto #3 in G Major," to Holst's broadly cinematic "Mars: The Bringer of War," Dean masterfully renders timeless orchestrations with the rough hewn timbre of the violin family expressed through the resonance of the human voice. Both admirably and remarkably, he achieves the tonal character of violin, viola and cello, in terms of amplitude, spectral sound and emotive objective.

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