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Eleven. Musique contemporaine italienne pour flûte. Fabbriciani.
Format : 1 CD
Durée totale : 01:03:34

Enregistrement : 01/09/2023
Lieu : Florence
Pays : Italie
Prise de son : Studio / Stereo

Label : Tactus
Référence : TC920004
EAN : 8007194108446
Code Prix : DM021A

Année d'édition : 2025
Date de sortie : 01/07/2025

Genre : Classique
Bruno Maderna (1920-1973)
"Lamento", pour flûte en sol

Aldo Clementi (1925-2011)
"Canzonetta", pour flûte en sol et bande magnétique

Niccolo Castiglioni (1932-1996)
"Romanzetta", pour flûte

Franco Piersanti (1950-)
"Intorno a…", pour flûte

Andrea Portera (1973-)
"La Gabbia Onirica delle Ragnatelle", pour flûte

Carla Rebora (1973-)
"In a dry season", pour flûte

Carla Magnan (1968-)
"Di notte", pour flûte en sol

Alessandro Grego (1969-)
"Polifobia", pour flûte basse et électronique live

Nicoletta Andreuccetti (1968-)
"Notturno sole", pour flûte et bande magnétique

Alex Pfeiffer (1999-)
"Taste Classifies", pour flûte

Paolo Castaldi (1930-2021)
"Eleven Medley", pour flûte

Roberto Fabbriciani, flûte

Roberto Fabbriciani is an essential reference point for flutists and composers over the past decades. The list of renowned masters he has collaborated with is nothing short of impressive: Berio, Boulez, Bussotti, Cage, Carter, Castiglioni, Clementi, Dallapiccola, De Pablo, Donatoni, Ferneyhough, Gaslini, Huber, Krenek, Kurtág, Maderna, Messiaen, Morricone, Petrassi, Pousseur, Rihm, Rota, Sciarrino, Stockhausen, Takemitsu, Yun, and many others, to name only the historical figures! Fabbriciani has not only innovated flute technique but has also contributed to updating compositional strategies, as the instrument has consistently been placed at the service of composition. “The goal,” Fabbriciani has stated, “is to bring art music to a wider audience. Technology has enabled a new leap forward, but composition doesn’t arise from the availability of new tools, it emerges because innovative musical thinking requires these tools to express itself.” This cd focuses on music dedicated to Fabbriciani (with the exception of Maderna’s piece). Tackling such a diverse range of works by different composers is no small feat; it requires the ability to delve expressively into vastly different styles. Alongside technical skill, it demands a refined sensitivity. Fabbriciani excels not only in mastering the stylistic diversity of contemporary composers but also in interpreting the works of the past. Indeed, Fabbriciani is not merely the highly esteemed interpreter of contemporary music that we all recognize; he is also an outstanding performer of traditional repertoire, boasting an extensive discography that spans from Vivaldi to Bach, Respighi to Piazzolla, and beyond. The past nourishes the present, and the present holds the seeds of the future, as is evident in these recordings.

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