William Corkine (17e siècle-)
The Second Booke of Ayres (1612)

Nadine Balbeisi, soprano
Fernando Marin, viole de gambe et viole-lyre

Technique largement oubliée, le Cantar Alla Viola, est l’art d’accompagner la voix d’une viole de gambe. Redécouvrir ces méthodes a inspiré à la soprano Nadine Balbeisi et au gambiste Fernando Marin le nom de leur duo. Des descriptions précise de la pratique de cette manière délicate d'accompagner la voix se trouvent dans le "Rubertina Regola" de Sylvestro Ganassi (1542) ou l’ "Il libro del cortegliano" de Baldassare Castiglione (1528 - Venise). S’inspirant de Ganassi, Marin adapte madrigaux et mélodies, de la Renaissance au pré-baroque. Le duo utilise différents types de violes de gambe comme la Vihuela de arco espagnole ou la viole-lyre anglaise, reproduites en respectant les formes, les dimensions et les techniques de construction de l’époque. Les harmonies des instruments sont soutenues par l'aide d'une technique d’inclinaison spéciale créant un son qui épouse parfaitement la voix.

CANTAR ALLA VIOLA, the art of accompanying the voice with the viola da gamba, is the largely-forgotten technique of using a bowed instrument to play polyphony and harmony as an accompaniment to the voice. The rediscovery of these methods inspired Nadine Balbeisi, soprano, and Fernando Marín, viola da gamba, to create their duo of the same name. Detailed descriptions of the practice of this delicate manner of accompanying the voice are found in sources such as “Regola Rubertina” by Sylvestro Ganassi (1542) and in “Il libro del cortegliano” by Baldassare Castiglione, Venezia (1528). As suggested by Ganassi’s instructions, Fernando Marín adapts madrigals and songs from the Renaissance and early Baroque for the voice and viol. The duo researches and makes use of the different kinds of violas da gamba used to accompany the voice, such as the Spanish Vihuela de arco, the bowed version of the Vihuela de mano (plucked), and the English Lyra-viol. Both have been reproduced following the shapes and dimensions as well as building techniques of original instruments. Historical bows and strings are just as carefully researched and selected. The harmonies of the instruments are sustained by using a special bowing technique which creates a sound that mixes well with the human voice.