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Dowland, Sor, Schubert : Musique pour guitare. Maczynski.
Format : 1 CD
Total Time : 00:51:21

Recording : 30/09-01/10/2023
Location : Jastrzebie Zdrój
Country : Pologne
Sound : Stereo

Label : DUX
Catalog No. : DUX2037
EAN : 5902547020372
Price Code : DM019A

Publishing Year : 2024
Release Date : 01/05/2024

Genre : Classical
John Dowland (1562-1626)
Lachrimae Pavane, P 15 (trans. d'O. Gonnissen et T. Hoppstock)
Forlorn Hope, P 2 (trans. d'O. Gonnissen et T. Hoppstock)
A Fancy, P 6 (trans. d'O. Gonnissen et T. Hoppstock)
Farewell on "In Nomine", P 4 (trans. d'O. Gonnissen et T. Hoppstock)

Fernando Sor (1778-1839)
Fantaisie Elégiaque a la mort de Madame Beslay, op. 59

Franz Schubert (1897-1828)
Der Tod un das Mädchen, D 531 (arr. de F. Rebay)
Extraits de "Schwanengesang", D 957 (d'après les arr. de J.K. Mertz)
Liebesbotschaft
Ständchen
Aufenthalt
Lob der Tränen, D 711 (d'après les arr. de J.K. Mertz)

Milosz Marczynski, guitare

“Élegiaque” includes a collection of compositions written with guitar and lute in mind. It features pieces whose leitmotif is melancholy, sadness and reverie. The album begins with a few fancies by English lutenist John Dowland; in his compositions, he would combine elaborate Renaissance polyphonies with melodies whose vocal features were clearly inspired by Italian influences. Fernando Sor’s Fantasia, written after the death of his student, is a monumental work. Although it was created in the Romantic era, it contains a number of references to the rhetoric of the Renaissance and Baroque. In turn, it is thematically connected with the last link of the album, a collection of several songs by Franz Schubert, including “Death and the Maiden” – these are free arrangements drawing more from Liszt’s transcription than from the original. Milosz Maczynski is a virtuoso performing in many European countries, a prizewinner of international competitions and a member of the Cracow Guitar Quartet. He tells the musical story of melancholy while maintaining vocal continuity of the phrase even in polyphonic fragments and, above all, masterfully using time.

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