 French organ music from the period of Louis XIV to the Revolution has always held fascination for performers and listeners alike. The kaleidoscope of colours, the rich and varied styles, and the sheer exuberance of the music never fail to captivate. Yet, performance practice of this music has never been fully understood. David Ponsford has spent much of his career studying this repertoire, resulting in his book French Organ Music in the Reign of Louis XIV (Cambridge University Press, 2011). The present series of recordings, including the music of Louis Couperin, André Raison, Jacques Boyvin, François Couperin, Nicolas de Grigny, Louis Marchand, Louis-Nicolas Clérambault, up to composers of the Revolution such as Balbastre, Beauvarlet Charpentier and Lesceux, is therefore the fruit of many years of research by a seasoned performer whose aim is to combine technical brilliance with intellectual understanding, to bring the music alive with authority and meaning. Dr David Ponsford is an organist, harpsichordist, musicologist and conductor, and an authority on keyboard music of the seventeenth and eighteenth centuries. An organ scholar at Emmanuel College, Cambridge, he studied organ with Peter Hurford, Lionel Rogg and Piet Kee, and harpsichord with Kenneth Gilbert and Gustav Leonhardt. On graduating from Cambridge, he was appointed Assistant Organist at Wells Cathedral. Later, he studied for a PhD on performance practice in French Baroque organ music with Peter Williams. He is now Associate Lecturer at Cardiff University, where he conducts the University Chamber Orchestra and gives lectures in performance practice. He also teaches organ and harpsichord at Bristol University, and gives series of lectures at Madingley Hall, Cambridge.
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