Mario Lavista (1943-)
"Canto del alba", pour flûte amplifiée

Kaijia Saariaho (1952-)
"Noa Noa"

Salvatore Sciarrino (1947-)
"Come vengono prodotti gli incantesimi?"

Vittorio Montalti (1984-)
"Labyrinthes", pour flûte basse ou électronique

Luca Francesconi (1956-)
Tracce", pour flûte seule

Nadir Vassena (197-)
Come perduto nel mare un bambino

Cesare Saldicco (1976-)
"Spire V", pour flûte amplifiée et électronique

Fausto Romitelli (1963-2004)
"Die Nykta", pour flûte seule

Ivan Fedele (1953-)
"Donacis Ambra", pour flûte et électronique

Laura Faoro, flûtes
Massimo Marchi, électronique

Ceci n’est pas une flûte is a Magritte-like calembour, representing the desire, with this CD, to propose a synaesthetic listening experience within a game of sound mirages, illusions and allusions. We pursued this intriguing goal from the project’s conception, starting from the idea that a CD recording implies the added value of being a sort of music microscopy, by using a rich and accurate miking together with a fine sound processing, where both the electronic tracks and the ambience itself could be treated as chamber music partners of the flute. The recording session was meant to deliver the composition with a surgical rendition that would have been impossible in a live performance, within an aesthetical frame that is not an end in itself but wants to deliver the polysemy of the contemporary language at its best, where nothing is ever as it seems. In fact, while deconstructing every convention about music, the fantasy of contemporary composers throughout the last century has taken over the sound of the flute, giving it a brand new creative and syncretic power. Breaking the chronological limits and reconnecting the timeline extremities, the flute is once again a magic stick recovering a shamanic allure from the dawn of time, now steeped in the expressive and technological possibilities of modern times.