Airas Fernandes Carpancho (?1170-1240)
Por fazer Romaria

Airas Nunez (?1230-1289)
A Santiagu'en Romaria

Pai Gomez Charinho (1225-1295)
Ai Santiago Padron sabido

Martin Codax (13e siècle-)
Eno sagrado en Vigo
quantas sabedes amar

Meendiño (13e siècle)
Sedia m'eu na ermida de San Simion
A do mui bon parecer

Pero de Berdi (13e siècle)
Jurava mi o meu amio

Martin de Ginzo (13e siècle)
Ai vertudes de Santa Cecilia
Nunca eu mi melhor ermida
Como vivo coitada, madre por meu amigo
Treides ai mha madre en Romaria

Johann de Requeixa (13e siècle)
Feui eu, madr'en romaria

Airas Paez (13-14e siècle)
Que'rir a Santa Maria

Bernal de Bonaval (13e siècle)
A bonaval quer'eu mha Senhor, hir

Johann Servando (13e siècle)
Ara vam a San Servando

Nuno Trez (13e siècle)
San Clemenco do Mar

Pero Viviaez (13e siècle)
Poiss nossas madres vam a San Simon

Ensemble Lauda
Henry Vidal, direction

Among the rich Galicia-Portuguese medieval lyric – considered de golden age of Galician literature -, we can consider the cantigas de amigo as the most delicate and elaborate expression of our culture. Through this album, the Ensemble Lauda group recreates a very particular selection of this lyric: they are eighteen cantigas de amigo parallels Galician-portuguese sanctuary. That is how concise the description of this collection can be and at the same time, each one of the words that make it up, contains an endless debate; they are endless readings that have built up so many bold historiographical, philological, cultural and even feminist theories.