Giovanni Coprario (?1575-1626)
Fantaisie a 3

John Dowland (1563-1626)
Clear or cloudy sweet as Aprill showring, pour 4 voix & luth (Second Book of Mélodies)

Anonymous, Lumley Books
Lumley Books

John Bennet (?1575-1580-?1599-1614)
Venus' Birds

Anonymous, English
Paven, pour 4 parts (from Thomas Wode's Partbooks)

John Tomkins (1589-1638)
O thrice-blessed earthbed, Mélodie

Thomas Ford (1580-1648)
Go, Passions, to the Cruel Fair

Tobias Hume (1569-1645)
What Greater Griefe, pour soprano & ensemble (from Captaine Humes Poeticall Musicke)

Anonymous, English
What if a daye, for lyra-viole (from Manchester Lyra-viole Ms.)

Anonymous
How can the tree (fromThe Parradise of Dainty Devices)

Elway Bevin (1554-1638)
Browning a 3

Richard Nicholson (1570-1638)
Joan quoth John (A Dialogue)

Thomas Vautor (?1570-?1630)
Mother, I Will Have A Husband

Giles Farna?(?1563-1640)
His Humour

William Byrd (1543-1623)
My mistress had a little dog, consort Mélodie pour voix & 4 violes

Thomas Morley (?1557-1602)
Come lovers, follow me, Madrigal pour 4 voix

Thomas Ford (1580-1648)
There Is a Ladie, Sweet and Kind pour 4 voix & instruments

John Wilbye (1574-1638)
What Shall I Doe, Madrigal

John Dowland (1563-1626)
Can she excuse my wrongs, pour 4 voix & luth (First Book of Mélodies)

Anonymous, English
Farewell the Bliss
Galliard, pour 4 parts (from Thomas Wode's Partbooks)

John Dowland (1563-1626)
Sorrow, come!, chant sacré pour soprano & 4 violes

Giles Farna?(?1563-1640)
Loath to depart

John Bennet (?1575-1580-?1599-1614)
All Creatures Now Are Merry Minded

Thomas Campion (1567-1620)
Never weather-beaten saile more willing bent to shore

Theresa Dlouhy (alto)
Ensemble Mikado