Samir Odeh-Tamimi (1970)
"Tsalalim", pour accordéon

Roberto Vetrano (1982-)
"Acustica III", pour accordéon et effets sonores

Keiko Karada (1969-)
"Book", pour accordéon

Younghi Pagh-Paan (1945-)
"Ne Ma-Um", pour accordéon

Manuela Kerer (1980-)
"In the Depths", pour accordéon, voix, et effets sonores

Nikolaus A. Huber (1939-)
"Auf Flügeln der Harfe", pour accordéon

Margherita Berlanda, accordéon

Margherita Berlanda is an incredible sound artist who not only knows her accordion inside out technically, but also seems to regularly look into its soul. Margherita elicits spherical yet grounded tones from her instrument; she explores the unknown and loves to think outside the box. It is no coincidence that Margherita calls her new project "Beyond/Oltre". She has brought together pieces of music that challenge her as an interpreter to overcome the most diverse boundaries: tonal, physical, ideological boundaries. In doing so, the young musician turns the accordion into an instrument of discovery and revelation. With artistic vision, she takes us on a journey in which the musical landscape is in a constant state of flux.