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Berio, Fedele, Albini : Finito Illimitato.
Format : 1 DVD Vidéo
Total Time : 01:02:54
Sound : Dolby Digital 2.0
Image Format : PAL
Aspect Ratio : 16:9

Label : Stradivarius
Catalog No. : STR33854
EAN : 8011570338549
Price Code : DM024B

Publishing Year : 2015

Genre : Classical
Luciano Berio (1925-2003)
Linea (1973), pour 2 pianos et percussions

Ivan Fedele (1953-)
Pulse and Light (2014)
Nero opaco- Phos
Nero chiaro
Altro spazio
Altro tempo
, pour 2 pianos et électronique

Giovanni Albini (1982-)
Terza Algebra del Tempo (2014), pour percussions et électronique

Maria Grazia Bellocchio, piano
Aldo Orvieto, piano
Daniele Roi, piano
Paolo Parolini, percussion
Arrigo Axia, percussion
Luca Richelli, électronique live, motion capture
Alvise Vidolin, régie sonore
Michele Sambin, live digital painting

The axtistic project "Finito illimitato” was first staged on 23 May 2014, offering a journey through the history of the Universe from its birth to the present day. The “generating” scientific concept of this artistic event is the cuirent standard Model of the Universe, known as the Big Bang Model. It was considered that ‘Linea” by Luciano Berio could admirably and theatrically evoke the situation created in the initial phases of life of the Universe: the piece describes the “first phase” of the outline previously mentioned in this text, approximately corresponding to the first second of life in the history of the Universe. Its extremely simple beainning is based on the minor third interval and its segmentation into compositional figu-res that “germinate” (and always lead back to it). The initial monody is played by ali the instruments in sync, and then “led” by Berio to produce more and more complex divisions, a world of continuous “fringing” of the sound fabric that well represents the previous Big-Bang phase. The subsequent division of the piece into new “explosions” of music in various expressive directions suggested the description of the Big Bang Model. The following slow flow of the composition towards a final phase of incre-asingly pronounced rarefaction well represents a link with the “second phase” of the concluding passage that follows, the moment when the superforce lapses into the various forces of nature, The work “Pulse and Lighf by Ivan Fedele is inspired by the “third phase” of the history of the Universe, when, after neutral atoms nave ormed, light begins to “travel in the dark”. The resulting explosion of radiation (second movement “Phos”) and the following third movement, Nero chiaro”, evoke the second major “trauma” in the history of the Universe, the decoupling of light from matter, followed by a further phase of cosmic stasis, well-described with a few highly “luminous” sounds that form the theatrical note of “Nero chiaro”. The work by Ivan Fedele ends with two movements that well portray the “new world” created about 380,000 years after the Big Bang occurred: a world that naturally is not yet “our” world but partly resembles it, since light has created “Altro spazio” (other space - fourth movement) and “Altro tempo” other time - fifth movement). The work “Terza Algebra del Tempo” by Giovanni Albini is inspired by the fourth and fifth phase in the history of the Universe: from the reation of stars and planets, to that of life and mankind. From the gestures and initial spatialization that symbolically recall ancient Chinese characters ^ (tian), literally ‘cosmo’, ‘sky, ‘stare”, as well as ‘nature’ and ‘head’, a swirling rhythm develops comprising a precise generative process of al-gebraic origin; a metaphor of the many interconnected revolutions of celestial bodies that are gradually determined in a constantly expanding Universe.

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