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Artur Cieslak : Niepodlegla. Tylkowska-Drozdz, Krysica, Lewandowski, Pelutis, Halec, Tworczynski.
Format : 1 CD
Total Time : 00:43:17

Recording : 22-24/06/2021
Location : Szczecin
Country : Pologne
Sound : Stereo

Label : Acte Préalable
Catalog No. : AP0526
EAN : 5901741655267
Price Code : DM017A

Publishing Year : 2022
Release Date : 01/01/2022

Genre : Classical
Artur Cieslak (1968-)
Niepodlegla, oratorio en 3 parties pour récitant, soprano, ténor, baryton, chœur mixte et orchestre de chambre

Joanna Tylkowska-Drozdz, soprano
Tomasz Krysica, ténor
Janusz Lewandowski, basse-baryton
Grzegorz Pelutis, récitant
Chor Kamelrany Akademii Sztuki w Szczecinie
Barbara Halec, direction
Zespol instrumentalny Akademii Sztuki w Szczecinie
Norbert Tworczynski, direction

Niepodlegla, the oratorio by Artur Cieslak, was composed in Summer 2018, to commemorate the 100th anniversary of Poland’s independence. It was first performed on the 18th of December 2018 in Szczecin’s Philharmonic. The project was sponsored by the Arts Academy in Szczecin, and amongst the artists we find teachers and students of said school. Between 2020–2021 the composer did a fundamental revision of the scores and has also created a chamber version of this piece. In this version the oratorio was recorded on this album. The oratorio Niepodlegla in a symphonic version is destined for a soprano, tenor, bass-baritone, declaiming voice, mixed choir and orchestra. In the chamber version the size of the choir and orchestra is reduced. The piece is composed of three parts. Each referring to a chosen historic event, that was an important stage of the fight for independence. The first part is dedicated to the November Uprising, the second part – January Uprising and the final one is tied to the events of 1918. Within the lyrics we may see utilized fragments of Noc listopadowa (November night), Wyzwolenie (Liberation) and Wesele (Wedding) by Stanislaw Wyspianski, a poem by Kornel Ujejski and the prose works by Józef Pilsudski and Stefan Zeromski. The style of the oratorio’s musical language oscillates between sharp sounds with an avant-garde aftertaste and traditional solutions with a euphonic character. Both layers constantly intertwine.

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