Thomas Baltzar (1630-1663)
John come kiss me now

Nicola Matteis (?1650-?1709)
Aria amorosa
Bizzarie all'imor Scozzeze (Ground d'après the Scotch Humour)
Aria (from Ayres for the violon)

Nicholas Lanier (1588-1666)
No More Shall Meads Be Decked with Flowers, Mélodie

Gottfried Finger (1660-1730)
Ciaccona pour flûte à bec & basse continue en fa majeur

John Playford (1623-1686)
The Glory of the West
The English Dancing Master
Stanes Morris
Cold and Raw

William Lawes (1602-1645)
Can Beauty's Spring, Mélodie for consort (No. 22 from the Autograph Songbook)

Henry François De Gallot (?-?1661)
Chaconne for consort

William Croft (1678-1727)
Suite n° 3, D. 221

Henry Purcell (1659-1695)
King Arthur, or The British Worthy, Z 628
Fairy Queen, Z 629
Welcome to all the Pleasures, Ode for St Cecilia's Day, Z. 339

Jan Pieterszoon Sweelinck (1562-1621)
Onder een linde groen (Unter der Linden grune), Variations pour clavier (2 Versions)

Thomas Morley (?1557-1602)
O mistress mine, where are you roaming

William Byrd (1543-1623)
The bois so wild, Variations pour clavier, MB 85

Thomas Ravenscroft (1582-1635)
Remember, O thou man (from Melismata, 1611)

John Eccles (1668-1735)
Division on a Ground

Anonyme (Royaume-Uni)
Chirping Of The Nightingale (from Playford)
Now ye Spring Is Come, Mélodie (from Elizabeth Rogers Hir Virginall Booke)
Greensleeves (chanson traditionnelle)

Ensemble Le Tendre Amour