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Cello Tales : Musique italienne pour violoncelle et théorbe. Invernizzi, Ensemble Chiaroscuro.
Format : 1 CD
Total Time : 01:05:07

Recording : 12/07-10/08/2016
Location : Gênes
Country : Italie
Sound : Eglise / Stereo

Label : Concerto Records
Catalog No. : CON2101
EAN : 8012665210115
Price Code : DM018A

Publishing Year : 2017
Release Date : 31/05/2017

Genre : Classical
Giovanni Battista degli Antoni (1660-1696)
Ricercata Seconda en ré mineur, op. 1
Ricercata Undecima en sol majeur, op. 1

Giovanni Battista Vitali (1632-1692)
Toccata en do majeur
Ruggiero en do majeur
Bergamasque en do majeur
Chaconne en do majeur

Domenico Gabrielli (1651-1690)
Sonate en sol majeur
Ricercar Primo en sol mineur
Ricercar Sesto en sol majeur
Flavio Cuniberto, "Vuoi Tu"

Giovanni Battista Somis (1686-1763)
Sonate Terza en sol majeur
Sonate Quinta en sol mineur

Francesco Alborea (1691-1739)
Sonate en ré majeur

Luigi Boccherini (1743-1805)
Sonate Sesta en la majeur, G. 4

Joseph Marie Clement Dall’Abaco (1710-1805)
Caprice Sesto en mi mineur

Friedrich Dotzauer (1783-1860)
Studio n° 17 en mi mineur

Perikli Pite, violoncelle
Craig Marchitelli, théorbe
Roberta Invernizzi, soprano
Ensemble Chiaroscuro
Antonio Fantinuoli, violoncelle
Giangiacomo Pinardi, théorbe

The main theme of this work of the Ensemble Chiaroscuro follows closely that of the first disc (also produced by Concerto Classics, “Baroque Enchantment”): the proposal is to collect a series of pieces to form a sort of concert program, in order to tell a true story in music, hence the title “Cello Tales”. The listener will in fact be led, through the notes of Antonio Fantinuoli cello, in a journey of rediscovery of the great masters and pioneers of the leading instrument of this recording, unearthed by a careful research of ancient manuscripts done by the same artist. From Giovanni Battista Degli Antonii and Giovanni Battista Vitali, to Domenico Gabrielli and Francesco Alborea, passing through Giovanni Battista Somis and Luigi Boccherini, up to Joseph Clemens dall’Abaco, all the most significant compositions that punctuate the technical evolution of the instrument from the seventeenth century to the eighteenth century until the final tribute to the ‘father’ of all cellists J.F. Dotzauer. The beautiful sound of the cello as the only protagonist, therefore: Antonio Fantinuoli is accompanied on this trip, as well as by Giangiacomo Pinardi and his theorbo (an integral part of the Ensemble), also by Perikli Pite at the cello and Craig Marchitelli with the theorbo. Special guest Roberta Invernizzi in an Aria of Gabrielli.

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