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Cantate Violini ! Mélodies et polyphonies du pré-baroque. Delafosse, Boquet, Ensemble Les Sonadori.
Format : 1 CD Digipack
Total Time : 01:04:18

Recording : 01/08/2018
Location : Franc-Waret
Country : Belgique
Sound : Eglise / Stereo

Label : Passacaille
Catalog No. : PAS1056
EAN : 5425004840561
Price Code : DM021A

Publishing Year : 2019
Release Date : 04/09/2019

Genre : Classical
Giovanni Pierluigi da Palestrina (1525-1594)
Pulchra es amica mea
Dehr or foss'io
Vestiva i colli

Jacques Arcadelt (1507-1568)/Diego Ortiz (?1510-?1570)
O felici occhi miei

Orlando de Lassus (1532-1594)/Giovanni Bassano (?1558-1617)
Susanna un giur

Cipriano de Rore (1515-1565)/Giovanni Bassano (?1558-1617)
Ancor che col partire

Pierre Certon (1510-1572)
Reviens vers moy

Adrian Willaert (?1490-1562)
O salutaris hostia

Giovanni Pierluigi da Palestrina (1525-1594)/Giovanni Bassano (?1558-1617)
Vestiva i colli

Francesco Layolle (1492-1540)/Maffei Giovanni Camillo (?1517-?1582)
Lasciar' il velo

Thomas Crecquillon (1490-1557)
Petite camusette

G.C. Gabucci/Giovanni Battista Bovicelli (?1550-?1594)
Magnificat del secondo tono

Adam Jarzebski (?1590-?1649)
Cantate Domino

Giovanni Paolo Cima (1570-1622)
Sonata à 4

Giulio Caccini (1546-1618)
Sfogava con le stelle

Girolamo Frescobaldi (1583-1643)
Canzon quitadecima, detta la Lievoratta à due Bassi

Claude Le Jeune (?1528-1600)
Susanne un jour

Anne Delafosse, soprano
Pascale Boquet, luth, théorbe
Ensemble Les Sonadori
Béatrice Linuon, violon treble
Odile Edouard, treble et violon alto
Nicolas Sansarlat, violon alto
Alain Gervreau, violon ténor
Sarah van Oudenhove, petite basse de violon
Hervé Douchy, violon basse

The most beautiful polyphonic canzoni, chansons, motets and madrigals, were used like today’s pop standards in the 16th century; musicians would improvise on them, tailoring their playing and imagination to each other. The colourful and varied selection of works on this recording is made up of different combinations of voices and instruments. A special aspect, a kind of renaissance violin band stands at the centre of this project: ensembles of violins were generally used to accompany certain moments in the Mass, at banquets, receptions, princely entertainments, entries into cities and palaces, diplomatic negotiations and sacred and secular processions as well as the long hours of dancing that followed the evening meal in northern Italy from the 1530s onwards, until the 1580s and 1590s announced the arrival of the new baroque style.

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