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Wilber de Paris & His "New" New Orleans Jazz : Hot Mustard - His 38 Finest.
Format : 2 CD
Durée totale : 02:38:00

Enregistrement : 1952-1960
Lieu : New York/Boston/Antibes
Pays : Etats-Unis/France
Prise de son : Studio/Live

Label : Retrospective
Référence : RTS4259
EAN : 0710357425929

Année d'édition : 2015
Date de sortie : 01/02/2015

Genre : Jazz
Hot Mustard
Hindustan
Shreveport Stomp
Très Moutarde (Too Much Mustard)
Martinique
Milenberg Joys
Flow Gently, Sweet Afton
Hot Lips
Are You From Dixie?
Madagascar
Juba Dance
Toll Gate Blues
Wrought Iron Rag
Big Fine Girl (With Jimmy Witherspoon)
It’s All Right With Me
Begin The Beguine
Beale Street Blues
Muskrat Ramble
Panama
Madeira
Banjolie
Waiting For The Robert E. Lee
Frankie And Johnny
Colonel Bogey’s March
Watching Dreams Go By
Hesitatin’ Blues
That’s A Plenty
Change O’key Boogie
Mack The Knife
Creole Love Call
Tell ’Em ’Bout Me (With Louis Bacon)
When My Sugar Walks Down The StreetTwelfth Street Rag
Blues Ingee
Shim-Me-Sha-Wabble
St. Louis Blues
How Ya Gonna Keep ’Em Down On The Farm?
Just A Closer Walk With Thee
Royal Garden Blues

Wilber de Paris & His "New" New Orleans Jazz

Another superb jazz release from Retrospective! Trombonist Wilbur De Paris (1900-1973) had a long apprenticeship, with Duke Ellington among others, before he was able to express his own ideas with his own band, but his golden years of the 50s, enshrined on these two Retrospective CDs, genuinely extended the boundaries of traditional jazz. For him, jazz was never history; it was a living art and as hot as mustard. His New Orleans Jazz was always “New”. From his series of highly acclaimed original LPs we have selected the 38 finest tracks – 2 hours 38 minutes of the most invigorating jazz. Magnificent trombonist though he was, the great strengths of De Paris’ “New” New Orleans Jazz lay in the coming together of a supremely talented group of musicians. These included two remarkable trumpeters, his brother Sidney De Paris and Doc Cheatham. Then there was the superlative clarinet of Omer Simeon (late of Jelly Roll Morton’s Red Hot Peppers), replaced after his death by the almost-as-good Garvin Bushell. Wilbur De Paris’ declared aim was “to play as the early New Orleans masters would if they were alive today”. His choice of repertoire goes beyond imaginative renditions of the jazz standards to encompass an enormous range of material. Certainly the music itself is “alive today” – here is the most exuberant, happy jazz that still sounds “New”.

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