Thomas Adams (1785-1858)
Allegro Pomposo

Arthur William Marchant (1850-1921)
Bourrée en sol majeur, op. 67

Georges Delerue (1925-1992)
Cantate pour trompette et orgue

César Franck (1822-1890)
Andantino en sol mineur

Paul Dukas (1865-1935)
"Fanfare pour précéder La Péri"

Gabriel Fauré (1845-1924)
Pavane, op. 50

Thorvald Hansen (1847-1915)
Sonate pour cornet et piano, op. 18

Edvard Grieg (1843-1907)
Arietta, extrait de Pièces Lyriques, op. 12 -"Bondens Sang", extrait de Pièces Lyriques, op. 65
"Springdans", extrait de Pièces Lyriques, op. 38
"Badnlat", extrait de Pièces Lyriques, op. 68

Vassily Brandt (1869-1923)
Wiegenlied, op. 14

Richard Wagner (1813-1883)
"Procession to the minster", extrait de Lohengrin, WWV 75

Carl Böhm (1844-1920)
Adagietto religioso, extrait de "Albumblätter"

Max Reger (1873-1916)
"Mariä Wiegenlied", extrait de "Schlichte Weisen", op. 67

Sigfrid Karg-Elert (1877-1933)
"Komm, o komm du Geist des Lebens", extrait de "Choralimprovisationen", op. 65
"Postludio festivo", extrait de "Sempre Semplice", op. 142

Arrangements pour trompette et orgue de Jonas Wilfert et Toni Fehse

Duo Fehse-Wilfert

Toni Fehse, trompette
Jonas Wilfert, orgue

The wealth of colors of the Romantic period lies at the heart of this debut CD from the young Duo Fehse - Wilfert. Both duo partners, Toni Fehse (trumpet) and Jonas Wilfert (organ), have a particular love of this emotive and diverse period, and one which is not confined to German literature. Rather, they extend their repertoire to include compositions from all over Europe; in addition to those by several great German composers, works by Thomas Adams (1850 – 1918), César Franck (1922 – 1890), Edvard Grieg (1867 – 19 07) and others can also be heard. Most of the works were arranged by the performers themselves in order to draw out the full potential of this uncommon pairing of instruments. The mainstay of these performers’ work is the combination of the queen of instruments, the organ, with the brilliant yet malleable sound of the trumpet. From a gentlest hint of sound to broad, sweeping gestures, from surging power to almost vocal lyricism, Toni Fehse and Jonas Wilfert literally pull out all the stops and lead the listener on an exciting, colorful journey