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Pièces contemporaines pour basson. LowBb bassoon cluster.
Format : 1 CD
Durée totale : 00:59:41

Enregistrement : 2017-2018
Lieu : Gênes
Pays : Italie
Prise de son : Studio

Label : Stradivarius
Référence : STR37116
EAN : 8011570371164

Année d'édition : 2019
Date de sortie : 01/02/2019

Genre : Classique
Antonio Vivaldi (1678-1741)
Largo dal Concerto, F VIII n° 30, RV 493

Claudio Leonardi
Divertimento, op. 92

Marco Betta
Madrigale

Carlo Galante (1959-)
Ance Oscure

Vincenzo Toscano
Prosopon

Matteo Pittino (1958-)
Four Sides

Daniele Venturi (1971-)
Four by four

Giovanni d'Aquila (1966-)
The unsymmetrical garden

Nicola Sani (1961-)
In Chiave d'Atuno

Carla Magnan
Il magnifico canocchiale

Giorgio Mandolesi, basson, ténor basson
Massimo Ferretti Incerti, basson
Maurizio Barigione, basson, ténor basson
Alessio Pisani, basson, contrebasson

The bassoon, its history, its repertoire, the didactics, the research. The LowBb Bassoon Cluster proposes the bassoon repertoire through original compositions and re-ela-borations for bassoon ensemble, working alongside contemporary composers to broaden the repertoire for this splendid instrument. While constantly searching for new sonorities, the group also places great attention on tradition and the past thanks to their experience gained through the study of performing practice on historic instruments. The LowBb Bassoon Cluster regularly holds international master classes focusing on many aspects of the instrument and its repertoire. Four teachers that contemporaneously offer their pupils lessons on their different specialities. In this CD, the main point of research is the development of the repertoire for ensemble with the inclusion of one of the smallest members of the bassoon family, the Fagottino. It is no coincidence that this project is concurrent with the research being carried out by the Schola Cantorum in Basel on the rediscovery of the historical role of the Fagottino. The organological study and the rediscovery of its repertoire prompted us to promote new compositions that exploit this extraordinary instrument as soloist and free it from its mere didactic use.

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