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MusikFabrik Edition. Hosokawa. Poore, Tajima, Rundel, Volkov.
Diapason de mars 2016
Critique de Pierre Rigaudière
Page n° 92
Format : 1 CD
Durée totale : 00:56:51

Enregistrement : 2006-2013
Lieu : Cologne
Pays : Allemagne
Prise de son : Studio / Stereo

Label : Wergo
Référence : WER6860
EAN : 4010228686029
Code Prix : DM019A

Année d'édition : 2015
Date de sortie : 25/11/2015

Genre : Classique
Toshio Hosokawa (1955-)
Voyage VIII, pour tuba et ensemble
Lied, pour flûte et piano
Arc song, pour hautbois et harpe
"Stunden-blumen, Hommage à Olivier Messiaen", pour clarinette, violon, violoncelle et piano
Voyage X "Nozarashi", pour shakuhachi et ensemble

Melvyn Poore, tuba
Helen Bledsoe, flûte
Ulrich Löffler, piano
Peter Veale, hautbois
Mirjam Schröder, harpe
Tadashi Tajima, shakuhashi
Ensemble MusikFabrik
Peter Rundel, direction
Ilan Volkov, direction

In hardly any other culture have the contrasts between East and West, between tradition and modernism been fought as intensively as in Japan. Hardly any other culture has been more radical in breaking with the own roots after centuries of self-imposed isolation, in adapting to foreign customs, than the home country of the composer Toshio Hosokawa, who was born in Hiroshima in 1955 and who says about his own work: “As a composer, I wish to express something that we have already lost.” For Zen monks, nature is an expression of the all-embracing Buddha nature which is, in essence, shapeless and inexpressible, yet which can, paradoxically, manifest itself only in visible forms. In the works “Silent Flowers” and “Blossoming” for string quartet, “Lotusblume” for mixed choir and “Lotus under the moonlight” for piano and orchestra, Hosokawa pays tribute to the withering beauty of the blooming flower which maintains its magnificence only for a short time. The special instrumentation of the quartet “Stunden-Blumen” with clarinet, violin, violoncello and piano takes up the example of Olivier Messiaens “Quatuor pour la fin du temps” [Quartet for the end of time] – re-interpreted by Hosokawa as a “quartet for the origin of time”. The instrumentations of “Landscape I-VI” range from string quartet to chamber ensemble to violin concerto. Characteristic of the ten-part “Voyages” is the relationship between solo and accompaniment: The soloist stands for the individual, the ensemble for nature and the universe. The journey undertaken by the soloist is both a journey to himself, to his inner self, and to the heart of the sound. Both “Voyages” contained on this CD were written for the ensemble Musikfabrik. The duo for flute and piano was simply entitled “Lied” by Hosokawa; in this piece, the challenge for the composer and the players probably is to generate the tonal idiom of traditional Japanese instruments by using mainly European instruments. Like in “Voyages”, the part of the flute is an expression of the individual while the accompanying piano symbolizes the universe.

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