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Monteverdi : Madrigaux, Livre VIII. Le Nuove Musiche, Koetsveld.
Diapason de mai 2017
Critique de Denis Morrier
Page n° 114
Format : 3 CD
Durée totale : 02:45:06

Enregistrement : 2015-2016
Lieu : Velp
Pays : Pays-Bas
Prise de son : Eglise / Stereo

Label : Brilliant Classics
Référence : BRIL95152
EAN : 5028421951522
Code Prix : DM017A

Année d'édition : 2017
Date de sortie : 01/03/2017

Genre : Classique
Claudio Monteverdi (1567-1643)
Madrigaux, Livre VIII
Altri canti d’Amor
Or che ’l ciel e la terra e ’l vento tace
Cosí sol d’una chiara fonte viva
Gira il nemico insidioso Amore
Nol lasciamo accostar, ch’egli non saglia
Armi false non son, ch’ei s’avvicina
Vuol degli occhi attaccar il baloardo
Non è piú tempo, ohimè
Cor mio, non val fuggir
Se vittorie sí belle
Armato il cor d’adamantina fede
Ardo, avvampo, mi struggo
Combattimento di Tancredi e Clorinda Altri canti di Marte
Due belli occhi fur l’armi, onde traffito
Vago augelletto che cantando vai
Ardo e scoprir, ahi lasso, io non ardisco
Ninfa che scalza il piede e sciolto il crine
Qui deh meco t’arresta
De l’usate mie corde al suon potrai
Dolcissimo uscignolo
Ballo delle ingrate
Lamento della ninfa
Perché te’n fuggi, o Fillide?
Mentre vaga angioletta
O sia tranquillo il mare, o pien d’orgoglio
Chi vole aver felice e lieto il core
Ogni amante è guerrier
Io che nell’otio nacqui e d’otio vissi
Ma per quel ampio Egeo
Riedi, ch’al nostro ardor
Non partir, ritrosetta
Su, su, su pastorelli vezzosi
Ballo, Movete al mio ben suon

Jennifer van der Hart, soprano
Wendy Roobol, soprano
Hugo Naessens, alto
Gerben van der Werf, alto
Falco van Loon, ténor
Bas Ramselaar, basse
Le Nuove Musiche
Krijn Koetsveld, clavecin, direction

Le Nuove Musiche, led by acclaimed director Krijn Koetsveld, continue with their exceptional series of Claudio Monteverdi’s complete madrigals. This time they turn their attention to Book VIII, the intriguingly entitled Madrigali guerrieri et amorosi ('Madrigals of Love and War'), published four years after Monteverdi's death. These two contrasting themes divide the book into two halves; first war, then love. There's more crossover than might be expected: the first half of warlike madrigals ends with the tragic Il combattimento di Tancredi e Clorinda, based on Torquato Tasso's poem which sees Tancredi fighting a disguised Clorinda, fatally injuring her before realising that it is a fair maiden rather than a male foe. Despite nearing the end of his life, Monteverdi still demonstrates his knack for innovation, experimenting freely with the genre of the madrigal in the new context of the basso continuo. Le Nuove Musiche’s approach to Monteverdi is an innovative one: to bring the past into the present, keeping alive the questions of the Renaissance that still permeate our musical landscape today, while seeking to maintain the highest standards of performance authenticity. Their release of Books V & VI garnered excellent reviews, including five stars in the French magazine Diapason.

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