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Monteverdi : Madrigaux, Livre IX. Le Nuove Musiche, Koetsveld.
Diapason from February 2018
Review de Denis Morrier
Page No. 100
Format : 1 CD
Total Time : 00:57:01

Recording : 2016-2017
Location : Mijnsheerenland
Country : Pays-Bas
Sound : Eglise / Stereo

Label : Brilliant Classics
Catalog No. : BRIL95153
EAN : 5028421951539
Price Code : DM011A

Publishing Year : 2017
Release Date : 01/11/2017

Genre : Classical
Claudio Monteverdi (1567-1643)
Madrigaux et canzonettes a 2 et 3 voix, Livre IX
Bel pastor
Zefiro torna
Se vittorie sí belle
Armato il cor
Ardo e scoprir
O sia tranquill’il mare
Alcun non mi consigli
Di far sempre gioire
Quando dentro al tuo seno
Non voglio amare
Come dolce hoggi l’auretta
Gl’amoretti l’aura fanno
Ride il bosco
Entri pur nel nostro petto
Alle danze
Perchè se m’odiavi
Sì, sì, ch’io v’amo
Su, su, su, pastorelli vezzosi
O mio bene

Le Nuove Musiche
Jennifer van der Hart, soprano
Wendy Roobol, soprano
Andrea Tjader, soprano
Hugo Naessens, alto
Falco van Loon, ténor
Joao Moreiro, ténor
Bas Ramselaar, basse
Arjen Verhade, théorbe
Cassandra Luckhardt, violoncelle, viole de gambe
Krijn Koetsveld, direction

With this recording the acclaimed ensemble Le Nuove Musiche, led by director Krijn Koetsveld, has almost completed a monumental undertaking nearly a decade in the making: the complete cycle of Claudio Monteverdi’s books of madrigals. Their latest recordings in this series is the final Ninth Book (Libro IX), which was published posthumously in 1651 and looks back on the breadth of the composer’s career with lighter pieces in the established forms of his day (prima prattica), in Monteverdi’s own innovative style (seconda prattica), and in a new genre that had begun to eclipse the madrigal in Monteverdi’s twilight years. Though not published in his lifetime, the preface suggests that the Ninth Book was indeed compiled by Monteverdi himself, as a mix of madrigals – still contrapuntal, though simple in texture with at most three parts – and examples of this newly popular canzonetta, with its single accompanied melody. In that sense, the Ninth Book captures the transition from polyphony to monody – from the Renaissance to the early Baroque – in miniature. Le Nuove Musiche’s approach to Monteverdi is both dedicated and informed. They bring the past into the present, considering questions that were asked in the Renaissance and are still relevant in our present musical landscape, thereby making Early Music as new today as any other, while maintaining the highest standards of performance authenticity.

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