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Magnificat.
Format : 14 CD Digibox

Recording : 1993-2016
Country : Allemagne/Royaume-Uni/Canada

Label : Brilliant Classics
Catalog No. : BRIL95928
EAN : 5028421959283
Price Code : DM056

Publishing Year : 2019
Release Date : 30/10/2019

Genre : Classical
Adrian Willaert (?1490-1562)
Magnificat sexti toni

Adriano Banchieri (1568-1634)
Nuovi pensieri ecclesiastici, livre 3, op. 35

Alessandro Scarlatti (1660-1725)
magnificat del primo tono pour 5 voix

Amante Franzoni (?1605-1630)
Magnificat

Anton Bruckner (1824-1896)
Magnificat, WAB 24

Antonio Vivaldi (1678-1741)
Magnificat en sol mineur, RV 610
Magnificat en sol mineur, RV 611

Arvo Pärt (1935-)
Magnificat

Carl Philipp Emanuel Bach (1714-1788)
Magnificat en ré majeur, Wq 215, G 772

Charles Hubert Hastings Parry (1848-1918)
Magnificat, Evening Service en ré majeur

Charles Villiers Stanford (1852-1924)
Magnificat pour double chœur en si bémol majeur, op. 164
Evening Service en do majeur, op. 115

Claudio Merulo (1533-1604)
Magnificat del secondo tono

Claudio Monteverdi (1567-1643)
Virgo prudentissima, Antiphona ad Mgnificat
Magnificat pour choeur à 7 voix et 6 instrements
Et exultavit, pour choeur à 3 voix
Quia respexit pour choeur à unisson et 6 instruments
Quia fecti pour choeur à 3 voix et 2 instruments
Et misericordia pour 6 voix suel en dialogue
Fecit potentiam pour choeur à unisson et 3 instruments
Deposuit potentes
Esurientes pour choeur à 2 parties et 4 instruments
Sucepit Israel pour choeur à 3 voix
Sicut locutus, pour choeur à unisson et 6 instruments en dialogue
Gloria Patri pour choeur en 3 parties, 2 voix seul
Sicut erat pour choeur et ensemble
Antiphona ad Magnificat "Virgo prudentissima"

Costanzo Porta (1528-1601)
Magnificat à 8

Cristobal de Morales (?1500-1553)
Magnificat octavi toni

Dietrich Buxtehude (1637-1707)
Magnificat, BuxWV Anh 1

Edmund Rubbra (1901-1986)
Magnificat and Nunc dimittis en la bémol majeur, op. 65

Einojuhani Rautavaara (1928-2016)
Magnificat

Felix Mendelssohn Bartholdy (1809-1847)
Magnificat en ré majeur

Francesco Cavalli (1602-1676)
Musische sacre, Magnificat à 8

Francesco Durante (1684-1755)
Magnificat à 4 voix en si bémol majeur

Franz Liszt (1811-1886)
Dante Symphonie, S 109

Franz Schubert (1797-1828)
Magnificat en do majeur, D 486

Frei Manuel Cardoso (1566-1630)
Magnificat secundi toni

Georg Philipp Telemann (1681-1767)
Lateinisches Magnificat en do majeur, TWV 9:17

Gerald Finzi (1901-1956)
Magnificat, op. 36

Giacomo Antonio Perti (1661-1756)
Magnificat pour 4 voix avec trompette et cordes

Giovanni Battista Bassani (?1657-1716)
Magnificat, extrait de Armonici entusiasmi di Davide, op. 9

Giovanni Battista Fasolo (1598-1664)
Ann uale che contiene tutto quello, che deve far un organista per rispondere al choro tutto l'ann o, op. 8

Giovanni Gabrieli (1554-1612)
Magnificat à 14, extrait de Sacrae Symphoniae II

Giovanni Legrenzi (?1626-1690)
Magnificat, extrait de Concerti musicali per uso di Chesa, op. 1 "Vesperae Sollem es de Confessore"

Giovanni Pierluigi da Palestrina (1525-1594)
Magnificat sexti toni à 6

Girolamo Cavazzoni (?1525-?1577)
Magnificat primi toni

Heinrich Schütz (1585-1672)
Magnificat anima mea, SWV 468 "Uppsala Magnificat"

Herbert Norman Howells (1892-1982)
Magnificat and Unc dimittis

Hieronymus Praetorius (1560-1629)
Magnificat

Hugo Distler (1908-1942)
Die Weihnachtsgeschichte, op. 10
Magnificat
Meine Seele erhebt Gott, den Herrn
Wir bitten dich von Herzen

Jacobus Vaet (?1529-1567)
Magnificat secundi toni
Magnificat sexti toni

Jan Dismas Zelenka (1679-1745)
Magnificat en ré majeur, ZWV 108

Jean-Nicolas Geoffroy (1633-1694)
Magificat du premier ton, extrait du Livre d’orgue

Johann David Heinichen (1683-1729)
Magnificat en la majeur

Johann Kuhnau (1660-1722)
Magnificat mit weihnachtlichen Einlagesätzen

Johann Philipp Krieger (1649-1725)
Magnificat

Johann Sebastian Bach (1685-1750)
Magnificat en ér majeur, BWV 243

John Rutter (1945-)
Magnificat

John Tavener (1944-2013)
Magnificat and Nunc dimittis

Josquin des Prés (1440-1521)
Magnificat (Segovia MS)

Juan Bautista Cabanilles (1644-1712)
Magnificat à 12

Kenneth Leighton (1929-1988)
Magnificat and Nunc dimittis "Collegium magdalenae Oxoniense"

Krzysztof Penderecki (1933-)
Magnificat

Luca Marenzio (1553-1599)
Magnificat

Ludwig Senfl (?1486-1543)
Magnificat sexti toni, Communio "Beatam me dicent"

Marc-Antoine Charpentier (1643-1704)
Magnificat, H 72

Maurizio Cazzati (1620-1677)
Magnificat, extrait de Salmi e Messa, op. 1

Nicolas Gombert (1490-1556)
Magnificat primi toni

Orazio Benevolo (1605-1672)
Magnificat

Orlando Gibbons (1583-1625)
Magnificat

Pierre de La Rue (?1455-1518)
Magnificat Tone IV

Pirro Capacelli Albergati (1663-1735)
Magnificat

Robert Fayrfax (1464-1521)
Magnificat regale

Robert Parsons (?1535-157)
Magnificat

Sebastian de Vivanco (1551-1622)
Magnificat octavi toni

Sir William Walton (1902-1983)
Magnificat and Unc dimittis

Thomas Tallis (?1505-1585)
3 Magnificat

Thomas Tomkins (?1572-1656)
Magnificat

William Mundy (?1529-?1590)
Magnificat

Wolfgang Amadeus Mozart (1756-1791)
Magnificat, extrait de Vesperae solenn es de Dominica en do majeur, K 321
Magnificat, extrait de Vesperae solenn es de Confessore en do majeur, K 339
Magnificat extrait de Dixit Dominus & Magnificat en do majeur, K 193

Capella Alamire
Peter Urquhart, direction
VivaVoce
Peter Schubert, direction
Oxford Camerata
Jeremy Summerly, direction
Dufay Ensemble
Eckehard Kiem, direction
Ars Nova Copenhagen
Paul Hillier, direction
Voces Cantabiles
Barnaby Smith, direction
Chapelle du Roi
Alistair Dixon, direction
Nova Schola Gregoriana
Alberto Turco, direction
Ensemble San Felice
La Pifarescha
Gruppo Polifonico
Francesco Coradini, direction
Grupo Vocal Grégor
Dante Andreo, direction
Ensemble Les Nations
Maria Luisa Baldassari, direction, orgue
Marina Scaioli, direction, clavecin
Ensemble Speculum Musicæ
In Dulci Jubilo
Alberto Turco, direction
Tölzer Knabenchor
Gerard Schmidth-Gad

Après deux très belles éditions respectivement dédiées au Requiem (BRIL95104) et au Stabat Mater (BRIL95370), Brilliant Classics revient à la musique liturgique avec ce riche coffret bien documenté consacré au Magnificat. "Mon âme magnifie le Seigneur", tels sont les premiers mots du Magnificat, le plus ancien hymne à la Vierge Marie incorporé dans les vêpres de la liturgie latine. Tiré de l’Évangile de Luc, et également intitulé "Cantique de Marie" ou "Cantique de la Vierge", il s’agit d’une chanson de louange chanté par Marie remerciant le Seigneur de sa miséricorde pour élever son humilité dans l'état d’une grossesse heureuse, grâce auquel toutes les générations futures seront bénies. A travers les siècles, le message d'espoir et de gloire du Magnificat trouve résonance chez de nombreux compositeurs et près de 70 d’entre eux sont ici regroupés : Des écoles flamandes de la Renaissance (Josquin, Gombert, Tallis, Tomkins…) aux maîtres baroques (Monteverdi, Vivaldi, Telemann, Bach…), de l’ère romantique (Mendelssohn, Schubert, Liszt, Bruckner…) aux compositeurs du XXe siècle (Penderecki, Tavener, Finzi, Pärt…). Un nouveau recueil de musique sacrée inspiré et inspirant qui confirme le savoir-faire inégalable de Brilliant Classics pour ces superbes coffrets thématiques.

From the celebrated classics to the rare recordings, this set brings together 600 years of the Magnificat. Short for Magnificat anima mea Dominum (My soul doth magnify the Lord), it’s also known as The Song of Mary and The Canticle of Mary and makes up part of the Catholic liturgy and Anglican canticles. The Magnificat comes from Luke I: 46-55 and conveys the Virgin Mary’s elation after the revelation that she is carrying the son of God. Throughout the centuries composers have tried their hand at setting this passage to music. This set takes the listener on a trip through time as we begin in the Medieval and Renaissance eras with Josquin, Gibbons and Dowland, passing via Bach, Mozart and Liszt, before arriving at present day interpretations of the sacred text. The wide time-span and geographies of the composers in this release provide some interesting comparisons. The set opens with a selection of early music composers, the pioneers of choral music, among them Giovanni Legrenzi who was enormously influential in the development of the Italian Baroque style and counted Vivaldi among his students, the latter also featuring on this set. Other influential figures include Gombert, a Franco-Flemish composer who employs double counterpoint, a technique later beloved by Bach, while Dutch composer Adrian Willaert, active during the same era as Gombert, based himself in Venice and was a pioneer in the use of antiphonal effects. Composers from across Europe came to learn from Willaert and took his teachings back to their native countries. Nourished by cross-cultural exchanges, musical in Europe flourished, and in the rest of the release we hear evidence of the ripple effect generated by these early music trail blazers. The contributions to the Magnificat by 18th- and 19th-century composers such as Mendelssohn, Schubert and Liszt have often been overlooked in favour of their better-known piano works, but they are given due attention here. From an early age Mendelssohn was heavily influenced by Bach, and he composed his own Magnificat at the age of 13. From among the modern composers to have experimented with setting music for the Magnificat, Arvo Pärt is notable for employing his distinctive and meditative compositional procedure, which he calls ‘tintinnabuli’, inspired by the sound of bells. Like Pärt, Kenneth Leighton is also famous for his religious music. His desire to expand his ‘narrowlyBritish’ background and subsequent study under Goffredo Petrassi in Rome makes his music an exciting melting pot of European influences. This exquisite collection traces the development of choral music through the lens of the Magnificat. Composers able to move and work freely in Europe built on the ideas of their contemporaries blended with those from their native home, while future composers would take their teachings further and adjust them to suit their own ideals. These composers are separated by geography and time, but are unified in their musical quest for divine perfection.

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