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Format : 14 CD Digibox
Enregistrement : 1970-2016 Pays : Allemagne/Royaume-Uni/Canada
Label : Brilliant Classics Référence : BRIL95928 EAN : 5028421959283
Année d'édition : 2019 Date de sortie : 30/10/2019
Genre : Classique
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Adrian Willaert (?1490-1562)Magnificat sexti toni Adriano Banchieri (1568-1634)Nuovi pensieri ecclesiastici, livre 3, op. 35 Alessandro Scarlatti (1660-1725)magnificat del primo tono pour 5 voix Amante Franzoni (?1605-1630)Magnificat Anton Bruckner (1824-1896)Magnificat, WAB 24 Antonio Vivaldi (1678-1741)Magnificat en sol mineur, RV 610 Magnificat en sol mineur, RV 611 Arvo Pärt (1935-)Magnificat Carl Philipp Emanuel Bach (1714-1788)Magnificat en ré majeur, Wq 215, G 772 Charles Hubert Hastings Parry (1848-1918)Magnificat, Evening Service en ré majeur Charles Villiers Stanford (1852-1924)Magnificat pour double chœur en si bémol majeur, op. 164 Evening Service en do majeur, op. 115 Claudio Merulo (1533-1604)Magnificat del secondo tono Claudio Monteverdi (1567-1643)Virgo prudentissima, Antiphona ad Mgnificat Magnificat pour choeur à 7 voix et 6 instrements Et exultavit, pour choeur à 3 voix Quia respexit pour choeur à unisson et 6 instruments Quia fecti pour choeur à 3 voix et 2 instruments Et misericordia pour 6 voix suel en dialogue Fecit potentiam pour choeur à unisson et 3 instruments Deposuit potentes Esurientes pour choeur à 2 parties et 4 instruments Sucepit Israel pour choeur à 3 voix Sicut locutus, pour choeur à unisson et 6 instruments en dialogue Gloria Patri pour choeur en 3 parties, 2 voix seul Sicut erat pour choeur et ensemble Antiphona ad Magnificat "Virgo prudentissima" Costanzo Porta (1528-1601)Magnificat à 8 Cristobal de Morales (?1500-1553)Magnificat octavi toni Dietrich Buxtehude (1637-1707)Magnificat, BuxWV Anh 1 Edmund Rubbra (1901-1986)Magnificat and Nunc dimittis en la bémol majeur, op. 65 Einojuhani Rautavaara (1928-2016)Magnificat Felix Mendelssohn Bartholdy (1809-1847)Magnificat en ré majeur Francesco Cavalli (1602-1676)Musische sacre, Magnificat à 8 Francesco Durante (1684-1755)Magnificat à 4 voix en si bémol majeur Franz Liszt (1811-1886)Dante Symphonie, S 109 Franz Schubert (1797-1828)Magnificat en do majeur, D 486 Frei Manuel Cardoso (1566-1630)Magnificat secundi toni Georg Philipp Telemann (1681-1767)Lateinisches Magnificat en do majeur, TWV 9:17 Gerald Finzi (1901-1956)Magnificat, op. 36 Giacomo Antonio Perti (1661-1756)Magnificat pour 4 voix avec trompette et cordes Giovanni Battista Bassani (?1657-1716)Magnificat, extrait de Armonici entusiasmi di Davide, op. 9 Giovanni Battista Fasolo (1598-1664)Ann uale che contiene tutto quello, che deve far un organista per rispondere al choro tutto l'ann o, op. 8 Giovanni Gabrieli (1554-1612)Magnificat à 14, extrait de Sacrae Symphoniae II Giovanni Legrenzi (?1626-1690)Magnificat, extrait de Concerti musicali per uso di Chesa, op. 1 "Vesperae Sollem es de Confessore" Giovanni Pierluigi da Palestrina (1525-1594)Magnificat sexti toni à 6 Girolamo Cavazzoni (?1525-?1577)Magnificat primi toni Heinrich Schütz (1585-1672)Magnificat anima mea, SWV 468 "Uppsala Magnificat" Herbert Norman Howells (1892-1982)Magnificat and Unc dimittis Hieronymus Praetorius (1560-1629)Magnificat Hugo Distler (1908-1942)Die Weihnachtsgeschichte, op. 10 Magnificat Meine Seele erhebt Gott, den Herrn Wir bitten dich von Herzen Jacobus Vaet (?1529-1567)Magnificat secundi toni Magnificat sexti toni Jan Dismas Zelenka (1679-1745)Magnificat en ré majeur, ZWV 108 Jean-Nicolas Geoffroy (1633-1694)Magificat du premier ton, extrait du Livre d’orgue Johann David Heinichen (1683-1729)Magnificat en la majeur Johann Kuhnau (1660-1722)Magnificat mit weihnachtlichen Einlagesätzen Johann Philipp Krieger (1649-1725)Magnificat Johann Sebastian Bach (1685-1750)Magnificat en ér majeur, BWV 243 John Rutter (1945-)Magnificat John Tavener (1944-2013)Magnificat and Nunc dimittis Josquin des Prés (1440-1521)Magnificat (Segovia MS) Juan Bautista Cabanilles (1644-1712)Magnificat à 12 Kenneth Leighton (1929-1988)Magnificat and Nunc dimittis "Collegium magdalenae Oxoniense" Krzysztof Penderecki (1933-2020)Magnificat Luca Marenzio (1553-1599)Magnificat Ludwig Senfl (?1486-1543)Magnificat sexti toni, Communio "Beatam me dicent" Marc-Antoine Charpentier (1643-1704)Magnificat, H 72 Maurizio Cazzati (1620-1677)Magnificat, extrait de Salmi e Messa, op. 1 Nicolas Gombert (1490-1556)Magnificat primi toni Orazio Benevolo (1605-1672)Magnificat Orlando Gibbons (1583-1625)Magnificat Pierre de La Rue (?1455-1518)Magnificat Tone IV Pirro Capacelli Albergati (1663-1735)Magnificat Robert Fayrfax (1464-1521)Magnificat regale Robert Parsons (?1535-157)Magnificat Sebastian de Vivanco (1551-1622)Magnificat octavi toni Sir William Walton (1902-1983)Magnificat and Unc dimittis Thomas Tallis (?1505-1585)3 Magnificat Thomas Tomkins (?1572-1656)Magnificat William Mundy (?1529-?1590)Magnificat Wolfgang Amadeus Mozart (1756-1791)Magnificat, extrait de Vesperae solenn es de Dominica en do majeur, K 321 Magnificat, extrait de Vesperae solenn es de Confessore en do majeur, K 339 Magnificat extrait de Dixit Dominus & Magnificat en do majeur, K 193 Capella Alamire Peter Urquhart, direction VivaVoce Peter Schubert, direction Oxford Camerata Jeremy Summerly, direction Dufay Ensemble Eckehard Kiem, direction Ars Nova Copenhagen Paul Hillier, direction Voces Cantabiles Barnaby Smith, direction Chapelle du Roi Alistair Dixon, direction Nova Schola Gregoriana Alberto Turco, direction Ensemble San Felice La Pifarescha Gruppo Polifonico Francesco Coradini, direction Grupo Vocal Grégor Dante Andreo, direction Ensemble Les Nations Maria Luisa Baldassari, direction, orgue Marina Scaioli, direction, clavecin Ensemble Speculum Musicæ In Dulci Jubilo Alberto Turco, direction Tölzer Knabenchor Gerard Schmidth-Gaden, direction Coro delle voci bianche di San Petronio Marco Fabio Pini, direction Ensemble Vocal d’Avignon Georges Durand, direction Coro e Orchestra della Cappella Musicale di San Petronio Sergio Vartolo, direction Fortuna Ensemble Roberto Cascio, direction Accademia degli Invaghiti Concerto Palatino Francesco Moi, direction Progetto Musica Giulio Monaco direction Coro Claudio Monteverdi Ensemble La Pifarescha Bruno Gini, direction Le Concert Spirituel Hervé Niquet, direction Oficina Musicum Riccardo Favero, direction Christ Church Cathedral Choir, Oxford Stephen Darlington, direction Accademia degli Invaghiti Cappella Musicale di Santa Barbara Francesco Moi, direction, orgue Schütz-Akademie Howard Arman, direction Collegium vocale et instrumentale ‘Nova Ars Cantandi’ Giovanni Acciai, direction Oxford Camerata Jeremy Summerly, direction Amystis José Duce Chenoll, direction Ars Nova Copenhagen Bo Holten, direction The Choir Of King’s College, Cambridge Stephen Cleobury, direction Prager Kammerchor Stuttgarter Kammerorchester Martin Sieghart, direction Knaben der Chorschule der Wiener Sängerknaben Choralschola der Wiener Hofburgkapelle René Clemencic, direction Corydon Singers Dresdner Kreuzchor Rudolf Mauersberger, direcion Capella Fidicinia La Dolcezza Barocktrompetenensemble Berlin Capella Cantorum Berlin Klaus Eichhorn, orgue, direction Rheinische Kantorei Das Kleine Konzert Hermann Max, direction Opella Musica Camerata Lipsiensis Gregor Meyer, orgue, direction Nederlands Kamerkoor Harry van der Kamp, direction Le Concert Spirituel Hervé Niquet, orgue, direction Marburger Bachchor L’arpa festante Nicolo Sokoli, direction Kobenhavns Drengekor Dufay Collective Ebbe Munk, direction Holland Boys Choir Netherlands Bach Collegium Pieter Jan Leusink, direction Alsfelder Vokalensemble Barockorchester Bremen Wolfgang Helbich, direction Hallenser Madrigalisten Andreas Göpfert, direction Virtuosi Saxoniae Ludwig Güttler, direction Thomanerchor Leipzig Neues Bachisches Collegium musicum zu Leipzig Hans-Joachim Rotzsch, direction Rundfunkchor Berlin Michael Gläser, direction Kammerorchester "Carl Philipp Emanuel Bach" Hartmut Haenchen, direction Chamber Choir of Europe Kurpfälziches Kammerorchester Mannheim Nicol Matt, direction Virtuosi di Praga Prague Chamber Orchestra Andreas Weiser, direction Amadeus-Chor Nicol Matt, direction Netherlands Philharmonic Orchestra & Chorus Hartmut Haenchen, direction Chorvereinigung Bruckner Kammerorchester der Anton Bruckner Privatuniversität Linz Thomas Kerbl, direction Choir of St John’s College, Cambridge Christopher Robinson, direction Vasari Singers Jeremy Backhouse, direction Manchester Cathedral Choir Christopher Stokes, direction Male vocal ensemble Warsaw Boys’ Choir Krzysztof Kusiel-Moroz, direction Warsaw Philharmonic Choir Henryk Wojnarowski, direction Warsaw National Philharmonic Orchestra Antoni Wit, direction Les Métaboles Léo Warynski, direction The Choirs of St Albans Cathedral Ensemble DeChorum Andrew Lucas, direction Finnish Radio Chamber Choir Timo Nuoranne, direction Sergio Vartolo, orgue Frédéric Muñoz, orgue Alfonso Fedi, orgue Federico Del Sordo, orgue Silvano Arioli, orgue Matthew Best, orgue Simon Over, orgue Hans Grüß, orgue Hans Otto, orgue Menno van Delft, orgue
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Après deux très belles éditions respectivement dédiées au Requiem (BRIL95104) et au Stabat Mater (BRIL95370), Brilliant Classics revient à la musique liturgique avec ce riche coffret bien documenté consacré au Magnificat. "Mon âme magnifie le Seigneur", tels sont les premiers mots du Magnificat, le plus ancien hymne à la Vierge Marie incorporé dans les vêpres de la liturgie latine. Tiré de l’Évangile de Luc, et également intitulé "Cantique de Marie" ou "Cantique de la Vierge", il s’agit d’une chanson de louange chanté par Marie remerciant le Seigneur de sa miséricorde pour élever son humilité dans l'état d’une grossesse heureuse, grâce auquel toutes les générations futures seront bénies. A travers les siècles, le message d'espoir et de gloire du Magnificat trouve résonance chez de nombreux compositeurs et près de 70 d’entre eux sont ici regroupés : Des écoles flamandes de la Renaissance (Josquin, Gombert, Tallis, Tomkins…) aux maîtres baroques (Monteverdi, Vivaldi, Telemann, Bach…), de l’ère romantique (Mendelssohn, Schubert, Liszt, Bruckner…) aux compositeurs du XXe siècle (Penderecki, Tavener, Finzi, Pärt…). Un nouveau recueil de musique sacrée inspiré et inspirant qui confirme le savoir-faire inégalable de Brilliant Classics pour ces superbes coffrets thématiques. From the celebrated classics to the rare recordings, this set brings together 600 years of the Magnificat. Short for Magnificat anima mea Dominum (My soul doth magnify the Lord), it’s also known as The Song of Mary and The Canticle of Mary and makes up part of the Catholic liturgy and Anglican canticles. The Magnificat comes from Luke I: 46-55 and conveys the Virgin Mary’s elation after the revelation that she is carrying the son of God. Throughout the centuries composers have tried their hand at setting this passage to music. This set takes the listener on a trip through time as we begin in the Medieval and Renaissance eras with Josquin, Gibbons and Dowland, passing via Bach, Mozart and Liszt, before arriving at present day interpretations of the sacred text. The wide time-span and geographies of the composers in this release provide some interesting comparisons. The set opens with a selection of early music composers, the pioneers of choral music, among them Giovanni Legrenzi who was enormously influential in the development of the Italian Baroque style and counted Vivaldi among his students, the latter also featuring on this set. Other influential figures include Gombert, a Franco-Flemish composer who employs double counterpoint, a technique later beloved by Bach, while Dutch composer Adrian Willaert, active during the same era as Gombert, based himself in Venice and was a pioneer in the use of antiphonal effects. Composers from across Europe came to learn from Willaert and took his teachings back to their native countries. Nourished by cross-cultural exchanges, musical in Europe flourished, and in the rest of the release we hear evidence of the ripple effect generated by these early music trail blazers. The contributions to the Magnificat by 18th- and 19th-century composers such as Mendelssohn, Schubert and Liszt have often been overlooked in favour of their better-known piano works, but they are given due attention here. From an early age Mendelssohn was heavily influenced by Bach, and he composed his own Magnificat at the age of 13. From among the modern composers to have experimented with setting music for the Magnificat, Arvo Pärt is notable for employing his distinctive and meditative compositional procedure, which he calls ‘tintinnabuli’, inspired by the sound of bells. Like Pärt, Kenneth Leighton is also famous for his religious music. His desire to expand his ‘narrowlyBritish’ background and subsequent study under Goffredo Petrassi in Rome makes his music an exciting melting pot of European influences. This exquisite collection traces the development of choral music through the lens of the Magnificat. Composers able to move and work freely in Europe built on the ideas of their contemporaries blended with those from their native home, while future composers would take their teachings further and adjust them to suit their own ideals. These composers are separated by geography and time, but are unified in their musical quest for divine perfection.
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