Georg Friedrich Haendel (1685-1759)
"Vivo", extrait de "Watermusic"
"Lascia chi'o pianga", extrait de "Rinaldo"

Giovanni Battista Pergolesi (1710-1736)
Stabat Mater Dolorosa

Antonín Dvorák (1841-1904)
Largo de la Symphonie n° 9 en mi bémol mineur, op. 95

Anton Bruckner (1824-1896)
Trois Chorals
Scherzo de la Symphonie n° 4 en mi bémol majeur

Felix Mendelssohn Bartholdy (1809-1847)
"Denn er hat seinem Engeln befohlen", extrait de "Elias", op. 70

Johann Sebastian Bach (1685-1750)
Allegro du Concerto Brandebourgeois n° 2 en fa majeur, BWV 1074

Alessandro Marcello (1669-1747)
Adagio du Concerto pour hautbois et orchestre en ré mineur

Giuseppe Verdi (1813-1901)
Offertoire, extrait de la "Messe de Requiem"

Astor Piazzolla (1921-1992)
Meditango

Richard Wagner (1813-1883)
"Waldweben", extrait de "Siegfried"

Franz Schubert (1797-1828)
Andante con moto de la Symphonie en si mineur

Engelbert Humperdinck (1854-1921)
"Abendsegen", extrait de "Hänsel und Gretel"

Carl Maria von Weber (1786-1826)
"Chor der Landsleute", extrait de "Der Freischütz"

Quatuor de Cors German Hornsound

The horns are let loose! In their fifth Genuin release, the german hornsound brass ensemble has brought together their favorite works and those of their fan community. And we’d be hard-pressed to find a single work in the Western musical literature that doesn’t sound at least as beautiful arranged for four horns as it does in the original. What’s more, there’s no need for troublesome singers, meddlesome conductors, and big stages for massive orchestras! In these splendid renditions, Handel’s Rinaldo, Dvorák’s Ninth Symphony, and Mendelssohn’s Midsummer Night’s Dream are both glorious and groovy, exquisite and ethereal, sophisticated and sexy. I like #hornlikes!