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Bracing change, vol. 1 : Holt, Dennehy, Gilbert. Johnston, Jack Quartet, Quatuor Doric, Quatuor Carducci.
Format : 1 CD
Durée totale : 01:08:25

Enregistrement : 2015-2016
Lieu : Londres
Pays : Royaume-Uni
Prise de son : Live / Stereo

Label : NMC
Référence : NMCD216
EAN : 5023363021623
Code Prix : DM021A

Année d'édition : 2017
Date de sortie : 01/05/2017

Genre : Classique
Simon Holt (1958-)
Quatuor à cordes n° 3
Matins
Wu Ping's nail house
A ladder to the moon
Expensive delicate ship
The foresaken cry
Night's mantle descends

Donnacha Dennehy (1970-)
The weather of it, pour quatuor à cordes

Anthony Gilbert (1934-)
Haven of Mysteries
Laying out
Reflections
Structures in stone
Labyrinth

Guy Johnston, violoncelle
Jack Quartet
Christopher Otto, violon
Ari Streisfeld, violon
John Pickford Richards, alto
Kevin McFarland, violoncelle
Quatuor Doric
Alex Redington, violon
Jonathan Stone, violon
Hélène Clément, alto
John Myerscough, violoncelle
Quatuor Carducci
Matthew Denton, violon
Michelle Fleming, violon
Eoin Schmidt-Martin, alto
Emma Denton, violoncelle

John Gilhooly OBE - Wigmore Hall Director writes .. ' Renewing the chamber music repertoire is central to the co-commissioning partnership between Wigmore Hall, The Radcliffe Trust and NMC Recordings. We are delighted to support Simon Holt’s 3rd Quartet with the JACK Quartet , Donnacha Dennehy’s The weather of it with the Doric String Quartet and Anthony Gilbert’s Haven of Mysteries with the Carducci String Quartet and Guy Johnston . We are very pleased to support some of the finest musicians of their generation, achieving the highest standards of their interpretations in modern compositions. I have no doubt that this recordin g will be praised for its vitality, freshness and the expressive power of new music. Wigmore Hall’s wholehearted commitment to continue building the chamber music repertoire is central to this project, and we look forward to further recordings yet to be released in this series. Simon Holt, Donnacha Dennehy and Anthony Gilbert, the composers featured on this inaugural ‘Bracing Change’ album of new string commissions, are as contrasting in their responses to it as they are individual in character across their musical output. Toget her, their new works – two quartets and a quintet – are a reminder that the medium has thrived for some 250 years not merely by adapting t o change, but by inspiring all sorts of new music at its pioneering edge.

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