 Né à Gênes, issu de la fameuse et traditionnelle école italienne, Carlo Andrea Gambini, au talent précoce, devint rapidement le pianiste de concert le plus en vue de son temps. En marge de ses prestations, il composa un nombre important d’œuvres pianistiques diverses consistant en études, sonates, transcriptions et arrangements d’Opéras qui eurent un certain succès. Sa passion pour l’orgue et son amitié avec la célèbre famille d’orgues Lingiardi l’amenèrent tout naturellement à composer abondamment pour l’instrument. Ces deux CD nous permettent d’appréhender son oeuvre au style romantique un peu pompeux, largement influencé par l’opéra italien et une certaine grandiloquence très en vogue à l’époque. Le CD n° 1 présente l’orgue moderne op. 106 comprenant un ensemble de 24 versets, pièces assez courtes destinées à l’usage liturgique, particulièrement exigeantes, utilisant la totalité des capacités de l’instrument, délivrant ainsi des sonorités inhabituelles. Le CD n° 2 est une collection de pièces de caractère varié comprenant, Toccatas, Pastorale, Corale, le Quattro Stagioni op. 128, entre autres, au style ampoulé tendant vers un modernisme quelquefois surprenant. Marco Ruggieri, un des maîtres organistes italiens, s’affranchit des difficultés avec talent jouant sur un orgue Lingiardi de 1854 (beau clin d’œil), dont toutes les spécificités sont décrites dans le livret d’accompagnement. (Philippe Zanoly) Grand 19th century organ music from an unknown Italian composer, including an alternative take on ‘The Four Seasons’. Carlo Andrea Gambini (1819-1865) was passed over by the compilers of Grove’s dictionary, and almost none of his diverse output has been preserved on record. Here, then, is a marvellous chance to catch up with the thoroughly entertaining work of a musician, Genoese born and bred. He was no organ specialist but a musician of diverse talents who composed for the stage, with at least three operas to his name, the concerthall, including symphonic tone-poems and concert-overtures. His extant output, however, centres on church music. L’organo moderno Op.106 is a collection of 24 versets for organ: brief pieces of hugely varied character, designed as inserts to cover or accompany various stages of the Mass that would otherwise be silent. Gambini is an imaginative composer for the organ’s timbral possibilities: flutes, horns, bassoons, and Vox Humana stops are all given solo spots. These are then further exploited in the Concertone per molti stromenti, which features folk-like melodies. In his own booklet introduction to Gambini, Marco Ruggeri explains that he has chosen to arrange some of the composer’s piano music for organ, such as excerpts from the Capricci caratteristici Op.55 and the Scintille elettriche Op.90, whose work-titles (chorale, toccata and so on) suggest a compatibility with the organ. Le Quattro Stagioni Op.128 was composed at a time when Vivaldi’s now ubiquitous cycle of concertos was completely unknown. Made up of four parts, one for each season, the work expresses the composer’s perceptions of nature (evoking birdsong, storms and ice), and of seasonal rituals, both sacred and secular (hunting in autumn, a prayer following a summer storm, winter dances). The organ music of lesser-known, 19thcentury Italian composers has been explored by Marco Ruggeri on several Brilliant Classics albums devoted to Giovanni Morandi (BC95333), Vincenzo Petrali (BC95160) and Polibio Fumagalli (BC95468). This last disc won a warm recommendation from MusicWeb International: it is ‘played superbly by Marco Ruggeri, who has Fumagelli's style very well covered from witty to serious… The recordings are excellent in both locations.’ Here he plays on the instrument built by Ernesto Lingiardi in 1854 for the Church of St. Vittore, Calcio, in the Lombardian province of Bergamo.
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