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Anton Reicha : Quatuor Scientifique. Quatuor Reicha.
Format : 1 CD
Total Time : 00:58:52

Recording : 29-31/05/2018
Location : Prague
Country : République Tchèque
Sound : Eglise / Stereo

Label : Brilliant Classics
Catalog No. : BRIL95857
EAN : 5028421958576
Price Code : DM009A

Publishing Year : 2019
Release Date : 05/06/2019

Genre : Classical
Anton Reicha (1770-1836)
La Pantomime, Fantaisie pour 2 violons, alto et violoncelle
Quatuor scientifique, 12 Morceaux de musique pour deux violons, alto et violoncelle

Quatuor Reicha
Ivan Iliev, violon
Veronika Manova, violon
Michal Dusek, alto
Libo Masek, violoncelle

This release features a new recording of the seldom-performed work Quatuor Scientifique by Czech composer Anton Reicha. Reicha was born in 1770 and he is best known for his writings on music theory. His music is a fascinating insight into how his theories worked in practice and this release recognises the composer as a genius ahead of his time. The set opens with La Pantomime; it’s still disputed as to whether this is an introduction to the Quatuor Scientifique or a different piece altogether. The following tracks go on to feature all 12 movements the Quatuor Scientifique and reveal it as a forward-looking work, unique for its time. Reicha moved in musical circles throughout his life: he studied at the University of Bonn alongside Beethoven and was offered the chance to study under Joseph Haydn. Unlike his contemporaries, Reicha broke with classical and baroque traditions and pushed radical new ideas about polytonality and polyrhythms, and he challenged the strict rules underpinning composition structures. For example in his modern interpretation of the fugue, he disregarded the rules which dictated that it must be in the dominant of the previous key and rather he declared the fugue as free to use any melody or key. Unsurprisingly, Reicha’s rule-breaking didn’t sit well with the sensibilities of the era and he counted Beethoven among his critics who commented ‘such fugues are no fugues’. The controversy surrounding some of his works goes someway to explain why Reicha failed to achieve mainstream success in his lifetime. Nevertheless, he was a respected figure and in his later life he taught Franz Liszt, Hector Berlioz and César Franck, who would later weave his ideas into their own compositions. Many of Reicha’s works were unpublished when he died in 1836, including the Quatuor Scientifique, written while he lived in Vienna. The unpublished manuscript was shelved in a Parisian library and largely forgotten, until recently. Quatuor Scientifique is the debut release from the Reicha Quartet, a pioneering ensemble dedicated to uncovering music and performance aesthetics of the 18th and 19th centuries. This new venture brings Reicha’s work necessary recognition and highlights his key role in shaping European musical tradition.

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ClicMag n°71 - 05/2019
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